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This Mono version of our Stereo MANLEY VARIABLE MU® LIMITER
COMPRESSOR is no longer made, but it was a one channel version
of our stereo unit, and the predecessor to it.
The Stereo Variable Mu® has been our best selling product for
many years. It is one of the very few compressors that has
become a real standard in Mastering studios and contributed to
most hit records over the last decade and probably the next.
"Mu" is tube-speak for gain, and Variable Mu®
is
our registered trademark for this limiter compressor.
This typeof limiter works by using the "remote cut-off" or
re-biasing of a vacuum tube to achieve compression. The precious
vintage Fairchild 670 also uses this technique and is one of
few all-tube compressor to do so, that we know of. Even the
side-chain has glowing rectifier bottles. How’s it work? In
the Mono Variable Mu units, the
unique 6386 dual triode is at the center of the peak-reducing
and compression action constantly being re-biased by the
vacuum tube rectified side-chain control voltages which cause
this tube to smoothly change its gain. Just like that. (These
mono units were built back when we had 6386 tubes!)
The COMPRESS mode is soft-knee 1.5 to 1 ratio while the
sharper knee LIMIT mode starts at 4 to 1 and moves to a more
dramatic ratio of 20 to 1 when limiting over 12dB.
Interestingly, the knee actually softens as more limiting is
used. Distortion can be creatively used by turning up the
Input and turning down the Output while using very little or
no compression. See the gain
reduction curves here!
The earliest mono units were built at the VTL factory
between 1991 and 1993. They were housed in a 1 1/2U billet
chassis and featured a more complex vacuum tube regulated B+
rail. Sowter made the input and output transformers for these
units. The output control was sometimes a big ol' Langevin 600
ohm attenuator. If you see a big gold cylindrical thing there,
then that's what you have. There were no ATTACK controls,
however, a mod was later available to add a 3-position switch
for this function. BYPASS on these earliest units were not
hardwire type bypass controls. A bit odd. RECOVERY control was
a 3-position switch; we used to joke "slow",
"slower", and "slowest"... The large Sifam
meters were not illuminated. We hadn't gotten to that yet back
then. Tube compliment on these was 12AL5(I think... might be
6AL5... just replace 'em with whatever is already in there)
for the rectifiers, 6386 (of which there are no more) for the
gain control, 12AX7WA (usually the Yugoslav Ei ones) and then
the 12BH7 for the output tube.
After we moved over to the Manley Labs factory in 1993, we
built a handful more of the 1 1/2U units before the STEREO
unit came out. Hutch had a large part in the Stereo Variable
Mu design, taking out mostly all of the funkiest things of the
mono units. After the Stereo unit was out, then the mono unit
got a rework. The 1U units in our extruded side chassis with
the removable perforated metal tops and bottoms became a real
mono version of the then-new stereo one with the ATTACK pot
and 5 position RECOVERY (RELEASE) switch. Because the Stereo
Variable Mu® was selling so well compared to the mono
version, after two years we killed off the mono version and
put him in the mausoleum.
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